Arts and Crafts house designed by Ben Pentreath

We call this colour “freshly laid cowpat”,’ says the designer Ben Pentreath of the greeny-brown grasscloth used on the bedroom walls of this house in north London. ‘That’s how we sold it to the owner.’ Ben is particularly fond of this colour; he used it in his own house, which was featured in House & Garden in August 2016. She laughs and admits to being totally sold on Ben, who has helped her make some brave decisions. The house, built in 1910, in an area of Arts and Crafts houses, was dark and very tired when she and her husband bought it four years ago. ‘There were lots of small rooms, but no obvious main sitting room,’ says her husband.

Chris Pask of Charlton Brown Architects had just begun the task of turning two ground-floor rooms into one big living room when Ben came on board. ‘The first thing was restoring the panelling in here to emphasise its Arts and Crafts sensibility,’ says Ben. His office drew the design and it was made by Symm, along with the rest of the joinery. ‘I wanted this room to feel calm and soothing,’ adds Ben, looking round at the neutral tones of the paint, fabrics and rush matting.

The greeny-brown grasscloth in this room is in the colour referred to by Ben as “freshly laid cowpat”. ‘I love the richness that grasscloth brings; it has so much more depth than a flat paint,’ he says. He has used grasscloths in a number of rooms in this London house, including Altfield’s ‘Minka’ (bamboo), 91cm wide, £58 a metre, and Phillip Jeffries’ ‘Manila Hemp’ (truffle brown), 94cm wide, £44 a metre. ‘You do have to warn clients that the joins between panels are visible, but I’ve never minded the effect,’ adds Ben.

Paul Massey

Ben’s interiors are known for a layered feeling, a mix of objects of different eras and styles, so his rooms appear to have been put together over many years. The layers in the living room include a Sixties-style brass cocktail trolley, twentieth-century abstract paintings, vivid Svenskt Tenn cushions, a nineteenth-century mahogany library table, a Chinese bowl and some mochaware mugs arranged, with bashed-but-beautiful brass candlesticks, on the mantelpiece.

There are many other touches of brass throughout the house, but the Seventies-inspired dining room, with its grasscloth walls, is the brassiest of all. A mirror-brass sideboard, designed for the room by Rupert Bevan, reflects the maze pattern of the rug, and there are chunky brass candlesticks on the table with a Stilnovo mid-century hanging light overhead.

The mid-century pendant light was designed by Gaetano Sciolari for Stilnovo. There are touches of brass dotted throughout the house, not least this striking sideboard, which is a bespoke design by Rupert Bevan. It is made of American black walnut wrapped in brass, with a nano-lacquer coating to prevent oxidation. The company recently developed a smaller version of the piece, the ‘Polished Brass Cabinet’, which measures 80 x 120 x 60cm and costs from £10,560.

Paul Massey

If the dining room is perfect for entertaining, the kitchen is a scene of architectural piety. In a handsome new wing, Chris has paid tribute to Edwin Lutyens’ majestic kitchen at Castle Drogo, Devon, finished in 1930. Daylight floods in from the central dome and from curved windows in the arched walls, lighting a vast marble-topped island. Beside the metal doors, made by Clement, that lead to the kitchen garden, there is an oak table in the Arts and Crafts style. The rush-seated Ernest Gimson-inspired chairs were made by the Warwickshire-based craftsman Lawrence Neal.

The pendulum swings back to the mid century in the small office space next to the kitchen, with its Danish rosewood desk and orange Hans J Wegner ‘Wishbone’ chair, and continues into an informal sitting room nearby, with walls in a graphic print fabric and a cheery yellow roman blind in Christopher Farr Cloth’s ‘Meander’ linen.

Ben designed the cabinets, which were made by Symm and painted in Farrow & Ball’s ‘Hague Blue’.

Paul Massey